Through interpretation of a wide array of historical sources--including descriptions of public rituals, accounts of indigenous rebellions, idolatry trials, legal petitions, court cases, land disputes, and indigenous pictorial histories--Yannakakis weaves together an elegant narrative that illuminates political and cultural struggles over the terms of local rule. As cultural brokers, native intermediaries at times reconciled conflicting interests, and at other times positioned themselves in opposing camps over the outcome of municipal elections, the provision of goods and labor, landholding, community ritual, the meaning of indigenous "custom" in relation to Spanish law, and representations of the past. In the process, they shaped an emergent "Indian" identity in tension with other forms of indigenous identity and a political order characterized by a persistent conflict between local autonomy and colonial control. This innovative study provides fresh insight into colonialism's disparate cultures and the making of race, ethnicity, and the colonial state and legal system in Spanish America. "Meticulously researched and engagingly written, "The Art of Being In-between" opens new dimensions for social and cultural history in the complex ethnic tapestries of the Sierra Norte de Oaxaca. Yanna Yannakakis's narrative elevates the historical role of native intermediaries--"indios ladinos"--in the persistence of communal identities through ethnic rivalries only dimly perceived by colonial authorities. This book illustrates the power of human agency in the negotiations among diverse indigenous peoples, Church, and Crown within the contradictions of colonial rule."--Cynthia Radding, author of "Landscapes of Power and Identity: Comparative Histories in the Sonoran Desert and the Forests of Amazonia from Colony to Republic"

Yanna Yannakakis is Assistant Professor of History at Emory University.