₡9.800
Descripción
While stowed away on a transatlantic freighter, Lafala is discovered and locked away in an icy-cold closet, resulting in the loss of his frostbitten legs. When his successful lawsuit against the shipping company brings big bucks, Lafala returns to Marseille to resume his affair with Aslima, a Moroccan prostitute. With its scenes of black bodies seeking pleasure and fighting for freedom even when stolen, shipped, and sold for parts, Romance in Marseille explores the heritage of slavery amid a predatory modern economy.
Detalles
| Formato | Tapa suave |
| Número de Páginas | 224 |
| Lenguaje | Inglés |
| Editorial | Penguin Group |
| Fecha de Publicación | 2020-02-11 |
| Dimensiones | 7.7" x 5.3" x 0.6" pulgadas |
| Letra Grande | No |
| Con Ilustraciones | No |
| Temas | Afroamericano, Afroamericano |
Acerca del Autor
Claude McKay (1889-1948), born Festus Claudius McKay, is widely regarded as one of the most important literary and political writers of the interwar period and the Harlem Renaissance. Born in Jamaica, he moved to the United States in 1912 to study at the Tuskegee Institute. In 1928, he published his most famous novel, Home to Harlem, which won the Harmon Gold Award for Literature. He also published two other novels Banjo and Banana Bottom, as well as a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a work of nonfiction, Harlem: Negro Metropolis. His Selected Poems was published posthumously, and in 1977 he was named the national poet of Jamaica. In 2009, his lost manuscript for the 1930s novel Amiable with Big Teeth was discovered among the archived papers of Samuel Roth at Columbia University, and was published for the first time in 2017 by Penguin Classics. Gary Edward Holcomb is the author of Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance (2007) and is the coeditor of Hemingway and the Black Renaissance (2012).
William J. Maxwell is the author of the American Book Award-winning F.B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature (2015) and New Negro, Old Left: African-American Writing and Communism Between the Wars (1999). He is the editor of the first-ever edition of McKay's Complete Poems (2004) and of James Baldwin: The FBI File (2017).
William J. Maxwell is the author of the American Book Award-winning F.B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature (2015) and New Negro, Old Left: African-American Writing and Communism Between the Wars (1999). He is the editor of the first-ever edition of McKay's Complete Poems (2004) and of James Baldwin: The FBI File (2017).
Garantía & Otros
| Garantía: | 30 dias por defectos de fabrica |
| Peso: | 0.181 kg |
| SKU: | 9780143134220 |
| Publicado en Unimart.com: | 27/11/24 |
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